摘要
常剑钧是广西戏剧的领军人物,其剧作既注重发展广西地方剧民族剧中的传统元素,也注重剧作本体的创新。其本体创新主要表现为:戏剧结构的多样化、戏剧人物的整体性审美追求和山歌、调子的新运用。在剧作精神上,常剑钧在剧作中展示了关爱人性、关爱人生存状态的现代人文精神。
As the leader of the Guangxi's drama, Chang Jianjun shows his originality in the utilization of the local ethnic traditional elements of Guangxi drama, which manifests itself in the following aspects: the diversity of drama structure, the aesthetic pursuit of the characters in dramas, the perfect integration of two kinds of folk songs (Shangge and Diaozi). Thematically, his works have modem humanistic spirit with focus on the nature of man and man' s life.
出处
《贺州学院学报》
2013年第4期87-92,共6页
Journal of Hezhou University
关键词
常剑钧剧作
戏剧结构的多样化
戏剧人物
山歌
调子的新运用
Chang Jianjun's plays
the diversify of drama structure
Drama characters
the perfect integration of two kinds of folk songs (Shangge and Diaozi)