摘要
"母亲"是女性独有的一种功能,身上负载着众多的精神内涵,而翟永明诗歌中的女性形象,则剥离了附加在母亲身上的光环,将母亲还原为一个真实的女人。本文围绕《母亲》和《十四首素歌》,运用女性主义视角,通过文本细读法,对作品中母女之间由质疑颠覆到理性审视的过程进行整理和解析。
"Mother" with women' s unique function is loaded with many spiritual connotations, but Zhai Yongming female image in the poetry, stripped of the additional halo on mother, reverts to a real woman. By close reading, this paper, from the feminist perspective, analyses the subversive questioning of the mother and daughter relationship and the poet' s rational examination around the "Mother" and "Fourteen Songs. "
出处
《湖北第二师范学院学报》
2013年第12期24-27,共4页
Journal of Hubei University of Education
基金
新疆师范大学研究生科技创新项目资金资助(20131117)
关键词
翟永明
诗歌
母女关系
Zhai Yongming
poetry
mother and daughter