论“画家画”的现实意义

On Practical Significance of the “Painters' Paintings”

古代中国画坛,画家以社会地位、从事工作及结果大致分为三大类:以文人、士大夫身份介入画坛的"文人画家";以模仿绘画为业的"画匠";以专职绘画创作为业的"画家"。"画家画"主体指向"画家"所创作的画,同时也涵盖了"文人画家"创作的部分要素。时代特征决定艺术特征,不同的时代祈求不同的艺术形式与制作的精细度,倡导"画家画"精神是时代的需要,是顺势而为的睿智之举。

In ancient Chinese painting circle, painters can be broadly divided into three categories according to their social status, working and achievements, namely ＂literati painters＂ with the identity of literati or scholar-bureau-crat, limners with the work of copying paintings and full-time painters. ＂Painters＇ paintings＂ mainly refer to the paintings of full-time painters, and include some of the elements of literati painters＇ creation. The feature of the times decides that of art. Different times ask for different art forms and extents of finesse. The spirit of ＂painters＇ paintings＂ is the need of the times.