规范偏离与莫言小说语言风格的生成

On Norm Deviation and Generation of Language Style of Mo Yan's Novel

莫言小说不同凡响的语言风格的生成,与他大胆地突破各种规范和束缚,大规模、全方位地使用规范偏离有着直接的关系。莫言小说对于文体学家所概括出的各种偏离形式几乎都有高密度的使用,通过对其中的三种偏离形式即"语法偏离"、"方言偏离"和"语域偏离"的主要使用方式、所达到的多重效果的分析可以看出,莫言通过对各种规范的偏离,为自己的创作开启出最大的内在自由,为我们创造出了一个打破各种界限对立的空前复杂混沌的宇宙,挑战和更新了人们对于语言、文学和审美等一系列问题的认识,形成了自己独树一帜的混沌浩瀚、讽刺幽默、狂欢颠覆、绚丽斑驳而又具有某种内在统一性的诗化语言风格。

There is a direct relation between the outstanding Language style of Mo Yang novel and his compre- hensive use of norm deviation on a large scale and from all aspects. This paper analyzes the three types of de- viation in Mo Yang works, as ＂grammatical deviation＂, ＂dialect deviation＂, and ＂register deviation＂, and concludes that it is the employment of various deviations that Mo Yan opens the largest inner freedom for his own writing, creates for us an unprecedented complex and chaotic universe that breaks down all kinds of boundaries, challenges and updates peopleg understanding of a series of problems of language, literature and aesthetics, and forms its own unique style of vast chaos, ironic humor, carnival subversion, gorgeous mottle with internal unity.