3[1]Roland Barthes,"From Work to Text," in Josue V.Harari,ed.,Textual Strategies:Perspectives in Post-Structuralist Criti-cism (Ithaca:Comell UP,1979) 76.
4苏珊·桑塔格.《反对阐释》[M].上海:上海译文出版社,2003年.2-17.
5G. K. Chesterton, "A Defence of Detective Stories", in The Art of Mystery Story : A Collection of Critical Essays, Howard Haycraft ed. (New York: Biblo and Tannen, 1976), p. 6.
6Michel Foucault, Discipline and Punish, Alan Sheridan trans. (London: Alien Lane, Penguin Boods Ltd., 1977),pp. 68- 72.
7Theodor W. Adomo, Aesthetic Theory, Gretel Adomo and Rolf Tiedemann eds. ( Minneapolis : University of Minnesota Press,1977), p. 4.
8Thomas de Quincey, "On Murder Considered as One of the Fine Arts", in The Works of Thomas de Quincey, Vol. 6, David Groves and Grevel Lindop eds. (London: Picketing & Chatto,2000), p. 115.
9Julian Symons, Bloody Murder, From the Detective Story to the Crime Novel: A History (Hong Kong: Papermac, 1992), pp. 34-35, p. 41.
10Jacques Lacan: "Seminar on 'The Purloined Letter'", in The Poetics of Murder : Detective Fiction and Literary Theory, Glenn W. Most et al. eds., 1983, pp. 21-54.
