摘要
意象性思维与形象思维和逻辑思维相比较,既相通又有区别。从创作实践考查,意象性思维活动不是盲目而总是围绕着一个始发点或中心点展开的,以此组合和呈现的意象与意象之间的关系也同样有其内在的秩序和规律——尽管这种组合和呈现的秩序有时是反逻辑的。进一步从现象学的意向性理论来分析,意象性思维作为一种独特的意识活动,其指向性和内时间性特征也在作品的意象组合中有着充分的体现。当然,借助禅宗慧能"无念、无相、无住"的心性学说,无疑更能深化对意象性思维念念相续和相渗相融特点的认识。
A comparative study of imagery thinking and imaginable thinking, logical thinking indicates their conformity and diversity. When examining the creative practice, imagery thinking activities are not blind but always around a point or a center, The relations between the images combined and presented have their internal order and law -- though sometimes such an order is antilogical. Further analysis by using imagery theory of phenomenology shows imagery thinking as a kind of unique conscious activity has its characteristics of directivity and intrinsic time consciousness fully embodied in the combined images in the literary works. It is certain that Chan, Hui Neng' s theory of mind will deepen reader's understanding of continuity and compatibility as the characteristics of imagery thinking.
出处
《北京联合大学学报(人文社会科学版)》
CSSCI
2014年第1期33-38,共6页
Journal of Beijing Union University(Humanities and Social Sciences)
基金
海南省高校人文社科研究项目"诗歌意象理论研究"(项目编号:Hjsk2008-15)
关键词
意象性思维
成象规律
指向性
内时间性
imagery thinking
formation rule
directionality
intrinsic time consciousness