摘要
佛像雕塑至魏晋南北朝已经获得长足的发展,雕塑艺术表现形式丰富多样,代表性的有"大丈夫之相"和"秀骨清相"两类造型特征。探索这一时期相异地域的佛像雕塑所形成的不同造型特征和时代成因,以便于我们透彻地了解这一历史时期佛雕艺术的整体风貌。魏晋南北朝时期的佛像雕塑艺术之发展、变化,文化上很大程度的改变了之前的雕塑造型风格,大大促进了中国佛像雕塑艺术的发展。
To the Wei Jin Southern and Northern Dynasties,Buddhist sculptures had obtained the considerable development, there were plenty of art forms of sculptures, the representative features were named " images of noble figures" and "slim but clear appearance" . To discover the formation of various characteristics of the Buddhist sculptures in that time in different regions, so that we can understand the complete style of Buddhist sculptures in that period. The development of the form of Buddhist sculptures in the Southern and Northern Dynasties had already changed the style of Buddhist sculptures in previous periods,it was obviously promoted the development of Chinese Buddhist sculptures.
出处
《雕塑》
2013年第6期62-63,共2页
Sculpture
关键词
魏晋南北朝
大丈夫清相
佛教雕塑
Wei Jin Southern and Northern Dynasties, "images of noble figures" , Buddhist sculptures