摘要
鲁迅的《狂人日记》作为现代文学史上第一篇白话小说,它的可贵之处不仅仅在于"格式的特别"和"表现的深切",更在于塑造了"狂人"这一典型的艺术形象,及其在当时所具有的现实意义。《狂人日记》发表90年来,学界对狂人形象的研究不断深化,主要有"狂人说""战士说""统一说""意象说"四种认识。
"The Diary of a Madman" by Lu Xun as the first vernacular novels in modem literature, does not merely excel at its "special format" and its "heartfelt expressions", but lies in the beauty of the typical artistic creation of a "madman" image and the practical significance at that time. During the 90 years after the publish of "The Diary of a Madman", further academic study on the image of mad man is mainly developed into four kinds of awareness such as "madman soldier" "unification" and "im- age".
出处
《清远职业技术学院学报》
2014年第1期99-103,共5页
Journal of Qingyuan Polytechnic
关键词
鲁迅
狂人日记
狂人形象研究
Luxun
The Diary of a Madman
On "Images of Madman"