摘要
在中国革命历史题材电影的创制过程中,深受传统美学精神影响的编创者格外注重追求电影含蓄蕴藉的艺术风格,无论是电影中人物语言的表达抑或镜语的运用,都刻意表现含蓄隽永的韵致,力图以一种以简洁凝练、委婉含蓄的方式表现丰富深刻的思想内容,实现言近旨远的艺术表达效果。中国革命历史题材电影中含蓄蕴藉的传统美学精神得到优良的传承和艺术的表现,而含蓄蕴藉的美学追求也使得影片产生强烈的艺术感染力,令人心驰神往,回味无穷。
The film artists, affected and nourished by Chinese traditional culture, have get lingering influence on traditional aesthetic spirit. In the movie's creation process, they have paid more attention to pursuit of implicit art style, in order to realize artistic expression that is simple but deep meaning. In movies about Chinese revolutionary history theme implicitness of aesthetic spirit has been excellent tradition and artistic expression. At the same time, it has made films produce strong artistic appeal, and made audience gain aesthetic pleasure.
出处
《临沂大学学报》
2014年第1期107-110,共4页
Journal of Linyi University
基金
四川省哲社重点研究基地"羌学研究中心"项目(qxj1201)
四川省哲社重点研究基地"民间文化研究中心"项目(MJ12-02)
四川省哲社重点研究基地"四川思想家研究中心"项目(SXJZX2012-015)
关键词
含蓄蕴藉
传统美学
艺术表现
implicitness
traditional aesthetics
artistic expression