汉语韵部、声调的变化及其对新诗的影响

The Changes in Chinese Rhyme and Tone and Their Impact on the New Poetry

现代汉语韵部数量处于历史"低值"且得益于通用语的普及,新诗用韵环境处于历史最为优越的时期。古、今汉语声调虽然发生了一些变化,但调类总数均为4个,就声调的特性来看,都可分为比较平稳、少起伏的高平调,以及起伏大、调值较低的仄声调两类,因而平仄规则在现代语境中仍然存在语言学的可能性。"美的形式"的缺失,可能损害内在精神的有效表达;"有意味的形式"可以传达言词、句子结构无法表达的某些情感或意义,有利于创作者在艺术层面更充分、更有力地表现丰富复杂的内心世界与现实世界。

The number of modern Chinese rhymes is“undervalued”in the Chinese history and benefits from the popularity of the lingua franca and the new poetry rhyme environment is the most advantageous in the history. Some changes have taken place in the ancient and modem Chinese tones, but the categories are the total four in the context of tone features, which can be divided into more stable and less fluctuant high even tones and more fluctuant and lower tone value oblique tones. Therefore, the rules of level and oblique tones still bear the linguistic possibility in the modern Chinese context. The lack of“beautiful forms”may damage the effective expression of the inner spirit.“Meaningful forms”can convey certain emotions and meanings that words and sentence structures cannot express, which can help creators more fully and effectively express the rich and complex inner world and re-al world in the aspect of art.