摘要
作者从"语源""可见效应""引申效应""理论阐释"4个层次,梳理、阐述了汉藏语系鼻音语言对中国传统声乐的影响。并在此基础上,阐述了对歌唱中的鼻腔共鸣与"中国式yodel"的新见解。
Starting from the four aspects,i. e. etymology,visible effect,extending effect and theory interpretation,the author sorts out how the nasal sound of Sino-Tibet family of language exerts its influence on Chinese traditional vocal music. He further coins his own new line of thought such as nasal cavity resonance and 'Chinese-styled yodel'.
出处
《音乐艺术(上海音乐学院学报)》
CSSCI
北大核心
2013年第4期61-67,4,共7页
Art of Music(Journal of the Shanghai Conservatory of Music)