摘要
文章通过分析叶小纲室内乐作品《芙蓉》,以和声结构、织体形态、曲式结构为切入点,探讨该作品的中、西作曲技法融合,与相关的传统民族音乐形态以及古代文人美学思想的关系,从而促进我们对中国现代音乐的初步认识以及对中国现代音乐现状的思考和展望。
From the perspectives of the structures of harmony,texture and form,the writers explore the fusion of Chinese and Western techniques in the composition,as well as its relations with pertinent Chinese traditional musical morphology and ancient literati aesthetics. By doing so,as they say, we can produce an outline of Chinese modern music and urge us to think about its prospect from its status quo.
出处
《音乐艺术(上海音乐学院学报)》
CSSCI
北大核心
2013年第4期75-84,5,共10页
Art of Music(Journal of the Shanghai Conservatory of Music)