摘要
玛乔瑞·帕洛夫的《诗学新解》提供了一个洞悉其诗歌批评理论的动态视角,其中涉及的帕洛夫与布鲁姆之间的诗学对话揭示了帕洛夫学术思想的微妙变化。两者论争的三个焦点,即审美批评、语言本体、现实关怀,构成了帕洛夫辨微阅读的核心,使她在批判地吸收新批评和文化批评的基础上形成独特的诗歌批评理论。借此,帕洛夫不仅梳理了诗歌传统,而且还发现了一个与新批评所推崇的象征性诗歌传统并存的暗示性诗歌传统。
Marjorie Perloff's newly released Poetics in a New Key offers a dynamic perspective to her theory on poetic criticism. The book demonstrates some academic dialogue between Perloff and Harold Bloom over years, which reveals the subtle change in Perloff's critical ideas. The focuses of the dialogue-aesthetic criticism, language as the subj ect, and concern with realityconstitute the core value of Perl off's "differential reading," which witnesses her critical absorption of both New Criticism and Cultural Criticism and leads to her discovery of "the other tradition"the tradition of suggestive poetry neglected and rejected by New Criticism which devoted itself to the tradition of "symbolistic poetry".
出处
《外国文学研究》
CSSCI
北大核心
2014年第1期140-144,共5页
Foreign Literature Studies
关键词
玛乔瑞·帕洛夫
辨微阅读
诗歌传统
新批评
文化批评
Marjorie Perloff differential reading poetic tradition New Criticism Cultural Criticism