摘要
从传统名妓与文人的逸乐空间,到现代的大众文化空间,现代作家怀旧感的产生,说明传统文人与秦淮空间的和谐关系被打破,出现了断裂。当代《夜泊秦淮》系列则对秦淮空间进行了历史解构。从空间文化角度分析秦淮河在传统、现代、当代作家作品中的嬗变,可看出,在中国文学发展中,秦淮空间不但建构了"文人—妓女"主题模式,而且也拆解了其模式。
The change from the pleasure paradise of traditional courtesans and literati to the cultural space of modern masses to the emergence of nostalgic writings of modern writers shows that the harmonious relationship between traditional literati and the Qinhaui River has been broken. The contemporary novellas Yebo Qinhuai( Evening Moor on the Qinhuai) historically deconstruct the Qinhuai space. An analysis of the Qinhuai River's evolution in the literary works of traditional,modern and contemporary writers from a spatial cultural perspective shows that in the development course of Chinese literature,the Qinhuai space has not only constructed the 'literati--prostitutes'subject pattern,but also deconstructed it.
出处
《五邑大学学报(社会科学版)》
2014年第1期41-45,93,共5页
Journal of Wuyi University(Social Sciences Edition)
基金
兰州大学"中央高校基本科研业务费专项资金"项目课题(批准号:13LZUJBWYJ009)的阶段性成果
关键词
空间文化
秦淮河
妓女与文人
spatial culture
the Qinhuai River
literati and prostitutes