摘要
斗兽、驯兽是汉代乐舞百戏中角抵戏的内容之一。汉画中有许多斗兽驯兽的内容,这些内容一直被学术界认为是汉代斗兽驯兽情况的真实反映。但作为墓室中的画像内容,这些斗兽、驯兽画像是服务于汉代人的丧葬思想的,有它们自己特殊的思想内涵:娱神表演、为升仙驯兽。那些看似人与兽斗的场面实则是驯兽,斗兽驯兽都是升仙思想的组成部分。
The animal-fighting performance is one of the Han Dynasty music and dance dramas. There are many animal-fighting per- formances in the Han Dynasty Portrait Stones, has been the academic thought to reflect the bucket beast situation. But as the portrait of the tomb, Dou beast, beast portrait is service to the Han people~ funeral ideas, have their own special ideological content： Entertain- ment gods, for performing about tamer. Those seemingly man and beast fights the scene is actually a tamer. The animal - fighting per- formance is a part of celestial thought.
出处
《南阳理工学院学报》
2014年第1期116-124,共9页
Journal of Nanyang Institute of Technology
关键词
汉画
斗兽
驯兽
升仙思想
Han Dynasty Portrait Stones
animal fighting
animal cultivation
celestial thought
