论《诗经·国风》中女性声音在先秦至汉代阐释中的变迁

Women's Voice in the Book of Songs and Changes in Early Qin and Han Dynasty

在先秦时期,女性的声音获得了进入主流话语领域的机会,《诗经·国风》中的部分诗篇充分说明了这一点。但是经过春秋至汉代的阐释,掌握了话语权力的说诗者从"用诗"开始,逐步忽略了其中的女性声音,最终体现为《毛诗序》中有意识地用男性政治化阐释策略,彻底将女性声音的主体性从《国风》的意义系统中剔除。那些诗篇也从此成为被男性社会言说的材料,充分体现了男性统治秩序从社会政治经济领域完全贯彻到话语领域的演变过程。

In early Qin, women＇s voice gained a chance to enter into public discourse as displayed by parts of the Book of Songs. However, when poets later in the Spring and Autumn Period and Han Dynasty obtained the control of public discourse through the use of po- ems overlooked women＇s voice. They consciously adopted men＇s politicized interpretation strategy ultimately reflected in the MaoShiXu, which completely eliminated women＇s voice in the Book of Songs. From then on, the Book of Songs and other earlier works became materials for men＇s discussions only, indicating the completed process of men＇s domination in transition from political and economic areas to public discourses.