“鱼”、“筌”之间:从石上纯也看日本建筑师设计思路的文化来源

Between “Yu” and “Quan”: Seeking the Cultural Origin of the Design Thought of Japanese Architect: a Case Study of Junya Ishigami

该文从庄子"得鱼忘筌"这一哲学思想谈起,以"鱼"、"筌"比之建筑的精神内涵与外在形式。通过形式与精神、美与体验、光线与永恒、传统与时尚四个方面,分别阐述了石上纯也所接受和承继的不同的社会文化来源,并分析了其所投射出的建筑师关于建筑与空间、审美、自然、社会之间的关系的思考。在此基础上,通过分析部分设计案例,对应呈现出石上纯也将这些思考杂糅在建筑设计中的表达。最后,总结了其所代表的日本新锐建筑师所处的文化背景和时代特征,及其在"鱼"、"筌"之间对建筑设计所做的新的探索。

This paper mentioned from the Zhuangzi philosophy of ＂DeYuWangQuan＂, compared spirit connotation and external form of architecture to ＂Yu ＂ and ＂Quan＂. Through the four aspects of form and spirit, beauty and feeling, light and eternity, tradition and fashion , it expounds respectively different social and cultural origin which Junya Ishigami accepted and inherited by, and analyzes which it reflect is that the architect＇s thinking on the relationship between the building and space, aesthetic, natural and social. On this basis, through the analysis of part design case, the paper shows the expression of this thinking on Junya Ishigami＇s design. Finally, it summarizes the culture background and the time spirit of the Japanese architects and their exploration on architecture design between the ＂Yu＂ and ＂Quan＂.