摘要
西藏阿里帕尔嘎尔布石窟的壁画为研究西藏的佛教艺术史、宗教史提供了重要的实物资料,具有重要的学术价值。文章结合有关曼荼罗图像的重要文献《究竟瑜珈鬘》,对该窟两幅曼荼罗中的诸尊图像进行一一辨识,认为这两幅曼荼罗图像分别为金刚界曼荼罗和净除恶趣清净曼荼罗,并对其出现的原因进行了初步探讨。
The mural in Pargarbu cave in Ngaris area of Tibet provides very important substantial material for the study of Tibetan art history and the history of Tibetan Buddhism, etc.. It embodies significant academic value. However, the two ma0ialas depicted in the north part of the east and west walls in this cave have not been identi fied properly and people have not even reach to a consensus on the names of these two ma.nlalas. In this article, the author identified the two man..dalas as Man..dala of Vajradhatu and Man..dala of Durgatipariodhana and de scribed all of the individual figures in these two man..dalas and compared it with the records of Nipannayogavali. In the end, the author speculated the reason of the presentation of the ma .n.dalas.
基金
2008年度教育部重点研究基地重大项目"西藏西部佛教史迹综合研究"(项目号:08JJD790118)
2008年度国家社会科学基金青年项目"西藏西部后弘期佛教壁画研究(10-13世纪)"(项目号:08CKG003)阶段性成果
