摘要
知性和想象力两种官能的和谐运动与审美愉快之间的关系,是理解康德审美判断的关键之处。只有正确认识两者的关系,才能理解审美判断为什么不带概念却普遍有效,才能理解康德所说的"感性的意识到"官能和谐的含义。对两者的关系有着因果性与意向性两种阐释可能。通过比较这两种阐释,可以得出这样的论断:审美愉快具有意向性特征,它与官能和谐之间的关系是意向性的。
The relationship between aesthetic pleasure and the harmony of intellect and imagination is crucial to understand- ing the aesthetic judgments in Kantian aesthetics. A correct understanding of this relationship can help us find out why these judgments, though containing no concepts, are universally valid and what Kant means by " sensually perceiving" the harmo- ny among the faculties. There are two interpretations of this relationship, one of causality and one of intention, and a con- clusion can be drawn from a comparison of these two interpretations, namely, aesthetic pleasure has intentional features and its relationship with the harmony among the faculties is intentional.
出处
《美育学刊》
2014年第1期35-40,共6页
Journal of Aesthetic Education
基金
教育部人文社会科学青年基金项目<阿多诺美学与语言理论关系之研究>(13YJC720033)
南开大学哲学院"985工程"青年教师科研资助项目(NKZX985QN-201301)的研究成果
关键词
官能和谐
审美愉快
意向性
二次反思
harmony among the faculties
aesthetic pleasure
intentionality
Second reflection