摘要
虽然以"二王妙迹"为指归成为南朝流风,但王羲之、王献之父子各自所引领的书风在南朝的影响力又有着一个戏剧性的转变,即从"王献之声高宋齐"到"王羲之复盛梁陈",走上了一条从妍到质的回归之路。
Though 'Wang Xianzhi and Wang Xizhi calligrahphy masterpiece' was considered to be the mainstream of Southern Dynasties, the influence of Wang Xizhi and his son Wang Xianzhi by their calligraphy styles in Southern Dynasties had transformed dramatically. Namely, it transformed from 'Wang Xianzhi calligraphy style is the best of State of Song and State of Qi' to 'Wang Xizhi has revived the calligraphy style of State of Liang and State of Chen', which returned from beauty-oriented style to the content-orientedstyle.
出处
《艺术探索》
2013年第6期22-23,27,共3页
Arts Exploration
关键词
王羲之
王献之
书法
南朝
转变
Wang Xizhi
Wang Xianzhi
calligraphy
Southern Dynasties
transformation