摘要
中国传统民间艺术自古以来就是集民众创作的艺术性、实用性以及审美性于一身的一种艺术形式,它的主题所要涵盖的两方面需求不外乎:其一,是物用方向的实用需求,其二,是精神导向的审美需求。远古时期生产力水平的局限性一定程度诱发人类对自然和宇宙未知力量的向往与原始崇拜。中国传统民间艺术的创作核心与本质诉求大都有围绕辟邪祈福、求吉纳祥的精神需求来展开的必要性,就人类本能而言,这种创作指向也是具有必要性的。求财亦是人类本能之一,精神满足是人类对艺术功能性的主导性需求,其中既涵盖对美好未来的期许,也有愉悦精神的审美体验,探究古人将本能需求与艺术是如何巧妙关联,是探究民间艺术的又一课题。
Since ancient times, Chinese traditional folk art is an art form which collections creative artistic、practicality and aesthetics in one and the themes covers two ways in needs： one is the functional requirement of the material aspect, the other is the aesthetic requirement of the spiritual aspect. In ancient times the limitations of the level of productivity in a certain extent evoked longing and primitive worship of the unknown forces of nature and the universe of the human. It is necessary that the core of the creation and essence demands of traditional Chinese folk art has around the spiritual needs of avoiding evil and praying for peace and happiness,this is also the human instinct of self-preservation. The pursuit of wealth is also one of the human instincts. The main function of art is to meet the spiritual needs,which not only express hope for the future,but also include the aesthetic activities of pleasure spirit. Exploring how the ancient associates the instinctive needs with the arts is another issue to researching the folk art.
