摘要
"泗水捞鼎"故事在早期文献中本身带有扑朔迷离的色彩,而汉代依据该故事创作的画像则更使该题材的图像意义具有多元化的特征。在学界研究汉代"泗水捞鼎"画像意义的基础上,重点对"楼阁人物"式"泗水捞鼎"画像意义进行考证,尤其注意到这类画像实含有为死者及其家人共同祈福的含义。反映了汉魏晋时代一些墓葬中具有祈福、喜庆等信念共同特征。
The story of " getting tripod in Si-River" has the confusing color in the early literature. The portraits created from this tale bring about the pluralistic character of the subject. Based on the study of the meaning of "getting tripod in Si-River", this study aims to lay stress on the textual research into the form of figurines in tower in the subject of "getting tripod in Si-River ", and pays special attention to the meanings of the blessing for the deceased and his family together, which revealed the part of the conception such as blessing, joyous in the tombs in the period from Han to Jin Dynasty.
出处
《广东第二师范学院学报》
2014年第1期80-90,共11页
Journal of Guangdong University of Education
基金
广东第二师范学院教授
博士科研专项资金"美术史视野中秦始皇至汉武帝时代的‘天下’观"(2013ARF10)
关键词
汉代画像
泗水捞鼎
图像意义
历史镜像
墓中祈福
portraits in Han Dynasty
getting tripod in Si-River
visual meaning
historical mirror
blessing in