走向抽象的民族意蕴——基于山水画范畴移植的建筑形式美学

Towards an Abstract Nationalistic Imagery:Architectural Form Aesthetics Based on the Category Transplantation of Landscape Painting

受明末园林美学的启发,为使当代建筑在民族性与现代性之间达至更抽象的平衡,尝试直接取法中国传统山水美学的新路径。借助五代荆浩《笔法记》中"六要"的理论优势,针对建筑设计的专业特点对此"六要"进行必要的梳理与整合,将气、韵、意、景、笔、墨等组成具有全面性、概括性、层次性的范畴系统,为构建当代语境下的民族化建筑美学提供新的思路。

In order to have a more abstract balance between nationality and modernity in contemporary Chinese architecture,inspirations are sought after from the late Ming Dynasty landscape aesthetics and new approaches are attempted where the landscape aesthetics are followed directly.With the theory advantages of Jing Hao＇s ＂Six Essentials＂ in Bi Fa-ji,and according to the professional characteristics of architectural design,the ＂Six Essentials＂,Qi,charm,meaning,scenery,brushwork and ink,would constitute a comprehensive,general,and hierarchical category system.This is intended to provide a new way of thinking for the construction of nationalistic architectural aesthetics.