摘要
文学作品的文化属性不仅来自于作家、作品本身的文化创造过程,也生成于读者、批评者在文学接受活动中的文化阐释行为。《查泰莱夫人的情人》是英国现代主义小说家D·H·劳伦斯的最后一部长篇小说。其文化意义蕴含于作家的文学创作过程中,并深化于作品的文学接受过程中。从接受美学的角度来看,该作品在文学接受中的文化误读、审美接受、文化阐释经历了一个不断深入、不断升华的嬗变过程。其中性爱主题研究、原型批评、生态批评从不同层面说明了文学批评过程中的文化阐释行为。
The cultural meaning of a literary work not only comes from the writer,the work’s creative process,is also generated in the literary interpretation of readers and critics in their process of acceptance activity. Lady Chatterley’s Lover is British modernist novelist D.H. Lawrence’s last novel. Its cultural meaning is implied in the writer’s literary creation and deepened in the work’s literary acceptance. From the perspective of Receptional Aesthetics, this paper holds that the work undergoes a deepened process of cultural misreading, aesthetic acceptance and cultural interpretation in the literary acceptance of readers and critics. And it further analyzes the cultural interpretation in literature criticism from the three aspects:sex theme study,archetypal criticism,ecological perspective.
出处
《石家庄学院学报》
2014年第2期79-83,共5页
Journal of Shijiazhuang University
关键词
劳伦斯
《查泰莱夫人的情人》
文学接受
文化阐释
Laurence
Lady Chatterley’s Lover
literary acceptance
cultural interpretation