摘要
《淮南子》中生命美学思想在中国古典美学中具有重要地位。其汇合道、儒等多家思想,发展成为自己独特的生命美学论。文章从形、神、气三位一体的美学建构,到人性虚静与性善说的贯通,再到德福间的矛盾对《淮南子》生命美学进行了论述。
Thoughts of life aesthetics in Huai Nanzi play an important role in Chinese classical aesthetics, which is influenced by Taoist thoughts, Confucian thoughts and others, forming his unique life aesthetics. The thesis discusses life aesthetics in Huai Nanzi from three as- pects, including form, energy and spirit~ relationship between unselfishness by nature and mankind-hearted by nature and contradictions be- tween virtue and happiness.
出处
《商丘职业技术学院学报》
2013年第6期11-12,共2页
JOURNAL OF SHANGQIU POLYTECHNIC
关键词
《淮南子》
生命美学
形神气
人性
德福
Huan Nanzi~ life aesthetics~ form,energy and spirit~ Humanity~ virtue and happiness