西尔维娅·普拉斯诗歌中的暗恐

The Uncanny in Sylvia Plath's Poetry

西尔维娅·普拉斯的诗歌常常给读者带来强烈的暗恐感受,这既源于她融合现实主义自白与超现实虚构以及打破公私话语边界的宏观创作路线,也得益于她围绕分身、泛灵论、卑贱和复活等众多暗恐母题所展开的微观意象建构,而在普拉斯暗恐书写的背后,则是作家的后现代伦理意识以及她以一种新型言说方式召唤他者回归的伦理尝试。

Sylvia Plath's poetry leaves a very strong impression of uncanniness upon the reader,which is due,on the one hand,to Plath 's macroscopic writing strategy that integrates realistic confession and surrealistic fiction and breaks the discursive boundary between the public and the private,and on the other,to her microscopic image construction that adopts a variety of uncanny motifs such as the double,animism,abjection and rebirth.In addition,what underlies Plath's uncanny writing is her postmodern awareness of ethics and her attempt at a new mode of expression to invoke the return of the other.