摘要
二人转《西厢》在东北地区流传广泛,演出形式多样,本文搜集了吉林地区的四个具有代表性的文本,在对其加以分析比较的基础上,发现四个版本的《西厢》呈现出情节线与俗艺线双线互缠,情节线为辅、俗艺线为主的文本结构特点,这一特点内在于二人转自身的表演情境。同时,二人转演出中即兴创编、随兴添加的表演惯例,也使得四个版本的俗艺线的核心场面呈现出整体一致而局部相异的特征。而这局部的相异,却受制于具体民俗文化语境。
The song-and-dance duet "West Chamber",which has a variety of performance forms,is widely spread in the northeast area of China.This article collected the four representative texts,on the basis of analysis and comparison,finds out that four editions of "West Chamber" present the twisting feature of plot and vulgar art line and the characteristic of complementary plot and major vulgar art line.The characteristic is inherent in the performance situation.Meanwhile,the impromptu plait and performance tradition make the vulgar art line scene of the four editions present the whole and locally different features.And the differences subject to specific folk cultural context.
出处
《吉林艺术学院学报》
2013年第6期18-22,共5页
Journal of Jilin University of Arts
关键词
二人转《西厢》
双线结构
表演惯例
民俗文化
song-and-dance
West Chamber
dual structure
performance tradition
folk culture