论中西喜剧意识的审美本质

On the Aesthetic Nature of the Comedic Sense in Western and Chinese Literatures

历史告别是西方喜剧意识占主导地位的审美本质。其中有两个方面需要说明的重要问题:第一,历史进步是一个渐进过程;第二,历史合理性的判定,取决于社会实践主体的主观心理尺度。历史告别的喜剧意识审美本质常常呈现出复杂的纠缠交错。道德胜利是中国喜剧意识占主导地位的审美本质。其中也有两个方面需要说明的重要问题:第一,中国文化中的伦理道德具有超阶级的意识形态权力;第二,中国人坚信道德修养同万物变化发展存在神秘联系。

In Western literature, the aesthetic nature of comedic sense to bid farewell to past reality keeps leading trend. There are two important problems needing to explain, the first, the historic progress is a gradual process, the second, judging whether the reality in all reason or out of all reason depends on the subject mentality. The aesthetic nature of the comedic sense to bid farewell lightly to past reality often presents the complicaticatedly entangled states. In Chinese literature, the aesthetic nature of comedic sense to show the moralistic victory in society keeps leading trend. There are two important problems nee-ding to explain too, the first, the ethical morality in the Chinese culture has ideological power without class character, the second, Chinese people believe there is a mysterious relation between the moralistic accomplishment and the change of all things on earth.