民族风格与现代技法的融合——以谭小麟《正气歌》为例

Integration of National Style and Modern Technique——Taking Tan Xiaolin's The Righteous Song as an Example

《正气歌》是谭小麟先生回国后创作的最后一个作品,该艺术歌曲也是"20世纪华人音乐经典"的推荐曲目。在该作品中谭小麟以兴德米特理论为基础,将中国传统的民族风格与具有现代技法特征的旋律、和声材料巧妙结合。使整首作品既具有鲜明的民族风格,又有强烈的现代气息。

Song of righteousness is the last work of Mr. Tan Xiaolin returning home, the art song is on ＂Chinese music in the twentieth Century classic＂ recommended repertoire. Tan Xiaolin, based on Hindemith theory, the Chinese traditional style and modem characteristic melodic material, and material combination, make the whole piece having a distinct national style and the strong modem breath.