原生态与时尚元素的两难抉择——从彩调剧《刘三姐》到《印象·刘三姐》

Dilemma between Primitive and Fashionable Elements ——from Caidiao Opera Sanjie Liu to Opera of Impression on Sanjie Liu

刘三姐从壮族口头流传的故事,到文学文本的《刘三姐》,再到彩调剧、电影《刘三姐》,壮族原生态的文化元素得到充分展现。张艺谋的《印象·刘三姐》则凸显了时尚元素。从彩调《刘三姐》到《印象·刘三姐》,是壮族原生态的文化元素在减少,时尚的文化元素在增加;刘三姐的形象被弱化,具有时代感的时尚元素则不断地增强。这种改变折射出民族文化在传承发展和开发利用中面临的瓶颈问题,只有建立民族文化开发利用的评价体系和评估机制,才能有效地解决这一瓶颈问题。

The story of Sanjie Liu was spread among Zhuang ethnic group through oral tradition and has been reproduced in forms of literature text, Caidiao Opera （local opera of Guangxi） and movie. In this process, the primitive cultural elements of Guangxi have found full expression. In the opera of Impression on Sanjie Liu by Zhang Yimou, however, fashionable elements are dominant. From Caidiao Opera Sanjie Liu to Impression on Sanjie Liu, primitive cultural elements of Zhuang ethnic group are decreasing while fashionable cultural elements are increasing with weakened image of Sanjie Liu and enhanced elements of time and fashion. This change reflects the bottleneck problem of ethnic culture in its inheritance and development. Only through establishing evaluation system and mechanism for developing ethnic culture, can this problem be solved effectively.