论“撮泰吉”的戏剧艺术性

On the Dramatic Artistry of “Chuitaiji”

"撮泰吉"从四个方面充分体现出它的戏剧艺术性:一是演员扮演角色,当众表演一个含有矛盾冲突的故事;二是具备演员、角色、观众三位一体的戏剧特质;三是其语言唱腔、服饰道具、舞蹈乐器等方面的艺术性;四是具备戏剧的表演虚拟性(象征性)、程式性和综合性。所以说,"撮泰吉"是彝族一出古戏,是一出仪式程式和戏剧因素兼备的傩戏。既不能凭其民俗事项的内容,来否定其戏剧性形式。同时,说其是"一种健全的戏剧形态",亦过之。

＂Chuitaiji＂ shows its dramatic artistry in four aspects： 1 ） Actors and actresses perform a conflict story in front of an audience ; 2） It has dramatic character of three in one of actor, role and audience; 3） It has artistry in language aria, clothing props and dance musical instruments; 4） It possesses the virtuality （ emblematic）, procedure, and comprehensiveness. Therefore, ＂Chuitaiji＂ is an ancient drama of the Yi people, a Nuo drama having both ceremonial procedure and dramatic element, Its dramatic form cannot be denied just according to its content of folk custom facts. At the same time, it is overdone to say that it is ＂a sort of wholesome dramatic form＂.