论唐五代宫怨词的情感取向与艺术表达

On the Emotional Orientation and Artistic Expression of Palace Sorrow Ci in Tang and the Five Dynasties

由张璋、黄畲编篡的《全唐五代词》,辑得唐五代宫怨词37首。从创作主体情感取向的维度,可分代宫人写怨、借宫人寄怨、代借兼容三类;而艺术表达,主要表现为烘染与描写、铺叙与展延、寄托与比兴等三种方法。唐代宫怨词从取象运思、结构语言上均对唐宫怨诗有所借鉴,而五代宫怨词则已颇具自身风貌。由此,中国宫怨词的历史演进,亦可见其端倪矣。

A Complete Collection of Ci Works in the Tang Dynasty and the Five Dynasties,compiled by Zhang Zhang and Huang Ta,includes 37 palace sorrow ci works in Tang and the Five Dynasties. In terms of the emotional orientation of the writers,these works can be divided into three types: those expressing sorrows on behalf of the women secluded in the palace,those expressing sorrows through the mouth of the women secluded in the palace,and those expressing both types of sorrows. In terms of artistic expression,these works employ three main devices: description and highlighting,elaboration and extension,projection and metaphor. The Tang Dynasty palace sorrow ci works borrowed from the Tang Dynasty palace sorrow poetry in terms of images and ideas as well as structure and language,while those of the Five Dynasties had their own style. As a result,the clue can be seen of the evolution of the Chinese palace sorrow ci works.