摘要
抗战爆发后,丁玲到达延安并作为党的主要文艺负责人,不仅在理论上进行倡导,创作实践上也积极进行革命叙事的话语建构。小说《夜》延续了丁玲五四时期注重心理分析的手法,表现了主人公在"本我"、"自我"和"超我"之间的矛盾。
After the outbreak of war ,Ding Ling arrived in Yenan and as a person in charge of the party’s main art , not only in theory ,advocacy ,creative practice is also active in the revolutionary narrative discourse construction .Novel“Night”Ding Ling May Fourth period continued focus psychoanalytic approach ,the performance of the hero in the“I” ,“self”and“superego” the contradiction between .
出处
《昭通学院学报》
2013年第6期88-91,共4页
Journal of Zhaotong University
关键词
革命叙事
丁玲
夜
建构
解构
Revolutionary Narration
Ding Ling
nigh
Construction
Deconstruction