摘要
宋代杂剧在宫廷、宴会和民间演出繁盛,文人笔记热衷于记录杂剧演出,其中体现了文人的态度。从北宋到南宋,文人对优伶和杂剧的态度呈现出一个复杂的转变过程。北宋文人对弄孔子表示不满的同时,对其讽谏意义流露出隐含的重视;至南宋,文人明确肯定杂剧的娱乐性,又将不满与肯定统一起来,形成一种折中态度。
Song Drama was popular in court, banquets and folks. Intellectuals were keen to keep accounts of them in their notes, which conveyed their attitude to drama. From Northern Song Dynasty to Southern Song Dynasty, the in tellectuals' variable attitude presented a complicated process:the intellectuals of Northern Song resented the plays of Confucius and showed some connotative importance to its criticism;the intellectuals of Southern Song clearly pos sessed a compromising attitude by affirming the entertainment of the dramas and reconciling the resentment and af firmation.
出处
《吕梁学院学报》
2013年第5期1-4,共4页
Journal of Lyuiang University
关键词
杂剧
优伶
态度
娱乐性
drama
performer
attitude
entertainment