摘要
1830年司汤达《红与黑》的发表标志着现实主义文学的诞生,随后法国诞生了一大批卓越的现实主义作家,其中司汤达、梅里美、小仲马、福楼拜、雨果笔下均描绘了一些世人看来"水性杨花"的女子,但作家对这些女子的态度是宽容理解而非斥责。根据作家的这一行为分析可知产生他们此种创作之举的原因有三点,分别是:母亲原型的折射、社会承袭使然、宗教神话的渗透。
The Red And The Black by Stendhal, which published in 1830, marked the birth of realistic literature, followed by the birth of a large number of excellent French realistic writers. Among them, Stendhal, Prosper Mer-imee, Dumas, Flaubert, Victor Hugo all penned some skittish women in world opinion. However, the attitude of these writers towards the woman is tolerance and understanding rather than rebuke. From this behavioral pattern of the writer, the article analyzed the factor of this creation in three aspects, namely : the refraction of mother arche-type, the inheritance of social conventions, the penetration of religious and myth.
出处
《宜春学院学报》
2014年第1期110-114,128,共6页
Journal of Yichun University