摘要
吴兴华一方面在"新月诗派"的余波中重现形式秩序的试验,另一方面,又综合了"现代诗派"的现代"诗质"的探索,并以其一个独立个体的自觉,担负起了继往开来的文化使命,在认同形式的规范和约束下,站在精英主义的立场之上,把模糊的概念和界限发展成型,从而促进了诗人和读者共同中介的生成。
On one hand , Wu Xinghua conducted experiment on reproducing form and order in the aftermath of the“new moon poetry school”;on the other hand , integrated with the exploration of the essence of “modern poet-ry” of the “modern poetry school”, he undertook the mission of carrying forward the cultural cause with a poet ’ s consciousness .With the identification of standard and constraint and standing in a position of elitism , he modeled the fuzzy concept and limits , thus facilitating the formation of mutual medium for poets and readers .
出处
《辽东学院学报(社会科学版)》
2014年第1期134-140,共7页
Journal of Liaodong University:Social Science Edition
关键词
古典意蕴
新古典主义
形式秩序
现代意识
classical implication
neoclassicism
form order
modern consciousness