历史记忆的影像表达——当代电影中“文革镜像”的编码机制研究

Expression of the Historical Memory Image ——“The Great Cultural Revolution”in the Film

"文革"给"后文革"时期电影创作提供了很重要的母题。在不断出现的关于"文革"的种种话语叙述中,创作者们将自身对"文革"复杂性不同的理解,对历史客观性的深度介入和差异编码,导致"文革镜像"的差异表达。"文革镜像"的研究首先涉及历史叙事的角度问题,主要是历史是如何出现在影像中,承担何种功能。其次是如何编码与解码。而虚构的情境观影协议早已在电影与观众之间签订。历史的真实在"文革镜像"中已经是无可企及的幻梦。影像在历史虚构与历史真实之间找到合适的表达平衡点,在意识形态神话和理性反思中找到合适的编码与解码方式。

Cultural Revolution has provided many topics for film creation after that period. In the various discourses about Cultural Revolution, the film creators have encoded their understanding to Cultural Rev- olution and their historical objectivity in film creation, leading to different expressions of image of Cultur- al Revolution. The study on the image of Cultural Revolution should start from historical narration, mainly including how history appeared in films and what functions they served;then it is to study coding and encoding. Since the fault agreement on situational film watching has been reached between the film and the audience,the true history is nothing but an illusion in the image of Cultural Revolution. The im- age has found its balance between true and fault history,and found the proper way of encoding and deco- ding in the myth of ideology and humanity excavation.