辞赋与谏书——杜牧《阿房宫赋》新论

Fu and Remonstrance:A New Discussion on The Epang Palace by Du Mu

杜牧撰于晚唐世变之际的《阿房宫赋》,并非一篇单纯的咏史赋,而是作者深受史学与赋学谏诤文化传统濡染下,以赋、论合流为体,以借古讽今为用的当代讽谏书写,其中或许不乏新型谏书及其变创可能的实验意图。因此,藉由"辞赋与谏书"文化跨界的书写侧面,或许可为杜牧《阿房宫赋》在唐、宋赋学流变史的重要地位,提供另一则参考脚注。

Immersed in the remonstrating atmosphere in the late Tang dynasty, Du Mu＇s On the Epang Palace is not merely a Fu （a literary form in ancient China） or prose poem on history, but rather a remonstrance which combines Fu with discussions as its form so that the author can make full use of the history in the past to remonstrate against the situtaion of his contemporary time. In this sense, On the Epang Palace demonstrates a new type of remonstrance and the author＇s intention of change and innovation in presenting his remonstrance. Hence, from the perspective of the culturally transboundary character of Fu or Cifu and remonstrance, it may probably be regarded as another footnote for reference as it demonstrates the important position On the Epang Palace has held in the transformation of Fu in the Tang dynasty and the Song dynasty.