摘要
刘恪的《现代小说语言美学》开启了从语言角度研究文学的新视角、新路径,从而使中国的文学理论切近到当下文学实践的内部,对中国文学理论摆脱当前困境给出了可行的出路:可以解决文学理论与当下文学现象脱节的问题;"语言诗学"为承认文学的独特性、探索文学奥秘提供了可能性;"语言诗学"是沟通"审美诗学"与"文化诗学"的桥梁。
Liu Ke' s Linguistic Aesthetics of Modern Fiction opens a new perspective, linguistic perspective, and a new way to study literature, which makes Chinese literary theory applied into the internal practices of contemporary literature. To a great extent, it provides a feasible way for Chinese literary theory to get rid of the current predicament. That is, firstly, it can solve the disjointed problem of contemporary literature theory and literary phenomenon ; secondly, it offers the possibility to explore the mysteries of hterature; finally, linguistic poetics is the bridge of "aesthetic poetics" and cultural poetics.
出处
《中州大学学报》
2014年第1期9-12,共4页
Journal of Zhongzhou University
关键词
刘恪
《现代小说语言美学》
语言诗学
文化诗学
Liu Ke
Linguistic Aesthetics of Modern Fiction
language poetics
cultural poetics