摘要
"体物"者,身体和物象之简称,相当于皮尔士三元理论中的"象似",兼及"标指";也相当于中国古代的形气神三元说的"形",兼及"气"。失去象似和标指依托的象征是"无源之水"、"无本之末";失去"形"和"气"的"神"是"死神"。"体物"出自"草根",出自生动而富于变化的民众生活,因此也是社会文化人类学研究的最直接对象。
Res corporales is body and image in short, equivalent of iconicity and signification in Charles Peirce＇s triple-element theory and also correspondent with ＂form＂ and ＂energy＂ in ancient Chinese triple-element （form, energy and spirit） theory. Symbol void of image and signification as a support is meaningless; spirit with neither ＂form＂ nor ＂energy＂ is lifeless. Res corporales stems from grass root, lively and changeable people＇s life, thus becoming the direct subject of study for social and cultural anthropology.
出处
《新疆师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2014年第2期96-101,2,共6页
Journal of Xinjiang Normal University(Philosophy and Social Sciences)
基金
国家社科基金重点项目"我国各民族关键符号及其对民族关系的影响研究"(13AZD057)
贵州省高校人文社科研究基地贵州师范学院中国山地民族研究中心建设项目"山地文化-生物多样性耦合传承创新研究"的阶段性成果
关键词
文化人类学
微观社会学
体物
皮尔士三元理论
形气神
Cultural Anthropology
Micro-sociology
Res corporales
Peirce＇s Triple-element Theory
Form and Spirit
