摘要
明代文人意识进一步成熟,别集编辑观也出现新变化,体现新特点,家族编辑模式的介入是最大亮点。父业子述、父集子编成为自觉定律。别集求富、求全、求大,表现为:一集分体,务望其全;一体载文,务望其富;全集分类,务望其宏。别集编刊的目的,也逐渐偏离文学而倾向"人学",体现的并不是别集编刊的健康道路。
Awareness of literati in Ming Dynasty become further mature, the edit views about anthology also emerge new changes and reflect new features, and the intervention of Family Edit mode is the biggest highlight. Son describes his father's career and edits the anthology become conscious laws. The anthology pursues wealth, perfection, and magnificence, that is- every anthology should divide into several styles and ensure its perfection~ every style includes several essays and guarantees its richness; the whole anthology contains several classifications and assures its magnificence. The purposes of editing anthology also gradually deviated from literary tendency but inclined to "human science", which reflects the unhealthy road of editing anthology.
出处
《江南大学学报(人文社会科学版)》
2014年第1期74-79,共6页
Journal of Jiangnan University:Humanities & Social Sciences Edition
基金
2011年江苏高校哲学社会科学基金项目"江苏明代作家别集述考"(编号:2011SJD750017)
关键词
明人别集
编辑观
家族编辑模式
别集内涵
Anthology of People in Ming Dynasty
Edit Views
Family Edit Mode
the connotation of anthology