元散曲在浙江

Sanqu of Yuan Dynasty in Zhejiang Province

元散曲,是追求时尚、大众化的城市演艺经济与文人文化互动的产物。后期散曲风格的核心形态主要由两个层次组成:其一是世俗情趣风格,其二是清丽雅致风格。前者沿袭前期北方传统,是元散曲的基础特色;后者源出以杭州为中心的江浙文化,是元散曲的增量特色。其他的形态类别则围绕在其周围,形成多向的风格丛整体结构。浙江的元散曲与全国其他地区一样,在表演场合、编创方式、演唱与伴奏形式等方面均一脉相承于唐代诗乐和宋代词乐,并表现出与戏曲明显不同的、中国古代歌曲的创演特点。在所处地域文化的熏染下,浙江这一方热土上的南北曲家和表演者以合流之势,为有元一代文学与音乐结合、创作与表演结合的整体散曲艺术的发展做出了重要贡献。

Sanqu during the Yuan Dynasty, was the product made by interactions between the city economy and li- terati＇ s cultural pursuits. The sanqu style was constituted of mundane temperament and elegant grace, among which, the former, following the northern tradition, was the basic feature, while the later, originating from the cul- ture of Jiangsu and Zhejiang Provinces, was an added feature. Like other places in China, sanqu in Zhejiang prov- ince inherited the poetry tradition of the Tang Dynasty and the Ci tradition of the Song Dynasty. It also displayed different compositional and performance features of ancient Chinese songs. Under the influence of regional culture, composers and performers in Zhejiang province have made great attribution to the development of sanqu, especially, in respect to integration between literature and music, and between composition and performance.