竟陵派钟惺、谭元春小品的审美理性

On the Aesthetic Rationality of Zhong Xing and Tan Yuanchun of the Jingling School

明代钟惺、谭元春的小品文是古代散文的精品,也是竟陵派作品的代表。钟惺、谭元春的小品,以独到的审美趣味和精致的审美形式,一反传统的审美路线,显示出独特、新颖、超前的审美意识。透过钟惺、谭元春小品解读其审美意识,主要表征为以审美理性激发性灵意趣,在行文、音律及结构体式上贯彻了审美理性的"幽深独至"。钟惺、谭元春小品的审美理性是中国文学审美意识积累的必然结果,它不仅对中国古代文学审美作出了历史贡献,而且对于推进当下文学审美意识的自觉也具有积极的启悟意义。

In the Ming Dynasty, Zhong Xing and Tan Yuanchun＆#39;s essays are refined works in ancient prose, but also representative work of the Jingling school. Zhong Xing and Tan Yuanchun＆#39;s essays, with the unique aesthetic taste and exquisite aesthetic form objected to aesthetic route of tradition, showing the unique, novel, vanward aesthetic consciousness. Through the aesthetic consciousness of Zhong Xing and Tan Yuanchun＆#39;s essays it is seen that the main characteristic is to utilize aesthetic reason to stimulate soul, carrying aesthetic reason to rhythm and structure of writing deeply. Zhong Xing and Tan Yuanchun＆#39;s aesthetic reason is the result of accumulation of Chinese aesthetic consciousness, which has not only made historical contributions to the Chinese ancient literary aes-thetics, but also has positive enlightenment significance for promoting the current literary aesthetic consciousness.