摘要
全球化时代下,中国"国粹"京剧的表演和创作,面临着被西方文化"标准化"、"统一化"、"同质化"的危险。京剧背离其传统"歌、舞、诗"的形式美,转而去模仿复制话剧的现实主义表达方式。为获得西方审美的认同,部分京剧不断"改"掉、"革"掉民族特质,使得中国的传统戏剧文化出现了危机。京剧艺术如何在世界戏剧文化丰富多元的势头面前保持其独有价值与个性,早已成为学界讨论的核心话题。
In the age of globalization, Beijing Opera, the quintessence of Chinese culture, is faced with the danger of being standardized, unified and homogenized by western culture. Departing from its traditional beauty of ＂songs, dances and poems＂, Beijing Opera has turned to imitate and copy the realistic expression of drama. To win the aesthetic reception of the West, some performances of Beijing Opera have been discarding and changing the national features, thus, bringing crisis to Beijing Opera as well as the hot topic how to maintain Beijing Opera＇ s own special values and traits in the context of various global drama cultures.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2014年第1期119-126,共8页
Drama:The Journal of the Central Academy of Drama
基金
中央戏剧学院理论研究系列<京剧表演教程>(编号:YN1314)的阶段性成果
关键词
全球化
京剧艺术
传统文化
写意
程式
Globalization, the art of Beijing Opera, traditional culture, stylization
