摘要
雕塑家张宇桐从西安华清城《长恨歌》大型组雕工程的实施中,再次对泥稿放大阶段的研究探索做了详细的论述。图文并茂,在技术上与艺术上有一定的参考价值。
Editor's note:Sculptor Zhang Yutong made a specific analysis of the study of mud draft in the enlarged stage,this mud draft was belong to the huge group sculptures named A Song of Everlasting Sorrow in Huaqing City in Xi'an.In his research plan,the pictures and its accompanying essays are both excellent,and they provide the valuable references from both technological and artistic aspects.
出处
《雕塑》
2014年第1期74-77,共4页
Sculpture