大同华严寺薄伽教藏殿辽代彩塑服饰研究

A Study of the Costumes on the Sculptures of Liao Dynasty in the Depositary of Buddhist Sutra in Huayan Temple of Datong

大同华严寺薄伽教藏殿内有辽代彩塑29尊,包括主尊佛像三尊,弟子四身,四大菩萨和十方菩萨,四尊天王和四尊供养人。其服饰各具特色,既遵循佛教仪制,也上承唐代佛教造像的服饰风格,同时又结合了契丹民族的审美特点,因而有着明显的民族性格和时代特征,创造了一种与宋地汉民族不一样,具有崇尚武力、以健为美、男女平等取向和尚金审美特点的辽金佛像服饰风格。

The depository of Buddhist sutra in Huayan Temple of Datong houses twenty nine colored sculptures of Liao dy-nasty, including three statues of the Buddha, his four disciples , the four leading Bodhisattvas and other lesser Bodhisattvas, four statues of the Guardians and the statues of four Benefactors. Their different costumes not only observe the Buddhist ritu- al requirements, but also inherit the costume features of the Buddhist statues of Tang dynasty and incorporated the aesthetic peculiarities of the Khitan ethnic groups. As a result, they manifest prominent ethnic streaks and historical characteristics, creating a costume style for the Buddhist sculptures of Liao and Jin dynasties that differs from that of the Hans of Song dy-nasty and displays tendencies of worshiping the Buddha and gold, extolling physical robustness and martial spirit and main- taining equality between the sexes.