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造型艺术的理论探讨与实践——《中国北方游牧民族的造型艺术与文化表意》有感

Theory and practice of Art ——Comments on The Inquisition and Reflection on the Northern Horde Plastic Art and Its Cultural Expression
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摘要 大连大学张景明教授著《中国北方游牧民族的造型艺术与文化表意》,以北方游牧民族造型艺术为切入点,梳理了学术界关于造型艺术的概念,提出了新的学术观点。同时,站在艺术学、文化人类学、考古学等学科角度,探讨了造型艺术的理论和研究方法,对中国艺术学理论的研究具有一定的借鉴作用。此外,将造型艺术进行了分类,分为岩画、金银、青铜、陶瓷、玉石、漆木、绘画等,通过艺术表象的分析,论述了造型艺术的文化表意。 The Inquisition and Reflection on the Northern Horde Plastic Art and Its Cultural Expression writ-ten by Professor Zhang Jingming of Dalian University, with the northern horde plastic arts as a cut-in point, straightens out the concepts about plastic arts in the academic circle, and puts forward a new academic point of view. At the same time, from the perspective of arts, cultural anthropology and archeology, this paper discusses the theory and research methods of plastic arts, which can be used for reference for the research on Chinese art theory. In addition, it also classifies the plastic arts into different categories of rock, gold and silver, bronze, ceramics, jade, lacquer and painting, and discusses the cultural expression on plastic arts through the analysis of the artistic representation.
作者 郑岩
出处 《大连大学学报》 2014年第1期95-97,共3页 Journal of Dalian University
关键词 造型艺术 理论探讨 实践 Plastic arts Theoretical study Practice
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参考文献2

  • 1[美]鲁道夫邛可恩海姆.艺术与视知觉[M].滕守尧,朱疆源,译.北京:中国社会科学出版社,1984:311.
  • 2[英]拉德克利夫·布朗.社会人类学方法[M].济南:山东人民出版社,1988.

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