摘要
《谢小娥》故事始见于唐传奇《谢小娥传》,唐代李复言又将其改写为《尼妙寂》,明代凌濛初《初刻拍案惊奇》卷十九《李公佐巧解梦中言谢小娥智擒船上盗》以及清代王夫之《龙舟会》杂剧也都演绎谢小娥事。从小说到杂剧,《谢小娥》故事的情节内容不断地扩充完善,结构设置也越加跌宕起伏。谢小娥和李公佐是故事中着重表现的两个人物形象,且被赋予了不同的时代内涵。时代背景、作者创作意图的变化,使得故事的创作主旨也随之发生变化。
The story of Xie Xiao＇e is firstly written in the legend of Tang Dynasty, then the writer Li Fuyan adapted it to Ni Miao Ji, and the Nineteenth Volume of Chu Ke Pal An Jing Qi which was written by Ling Mengchu and the drama Longzhou Hui by Wa Fuzhi in Qing Dynasty, both elaborated the story. From fiction to drama,the plot of the story is constantly expanded and perfected and the structure is arranged with more ups and downs. Xie Xiao＇e and Li Gongzuo are the two characters which are highlighted in the story, and are given different connotations. According to the changes in the background of the times and the authors＇ intention, the story theme has been changed.
出处
《宁波教育学院学报》
2014年第1期45-48,共4页
Journal of Ningbo Institute of Education
关键词
谢小娥
演变轨迹
情节结构
人物形象
创作主旨
Xie Xiao ＇e
an evolution
the plot structure
character image
creative idea
