摘要
山西离石吴执墓前室门楣画像上的"车马右行"图像,其起点是昆仑仙境,其终点则是现实的人间。墓葬通过构图模式,传达出独特的"复活"思想。前者建立在"西王母-昆仑山"信仰之下,而后者与已在汉代式微的"司命"信仰有关。吴执墓画像既体现了东汉时期民间信仰的多元化,亦是对已知汉代民众生死观的补充。
There is a picture of rightward horseandchariot procession on the lintel of the anteroom of the Wu Zhi tomb in Lishi, Shanxi. It starts from the Kunlun Fairyland and ends at the real world. By this depiction the tomb conveys a distinctive idea of "reviv al" . The starting scene is created on the belief in the Royal Lady of the West and Kunlun Mountains, while the ending scene is relat ed with the belief in the "life controller" that was on the decline in the Han Period. The picture embodies the plurality of folk belief in the Eastern Han Period, and provided a supplementary datum for understanding the Hart people' s sense of life and death.
出处
《华夏考古》
CSSCI
北大核心
2014年第1期92-99,共8页
Huaxia Archaeology
基金
河南科技大学2012年度青年科学基金("河洛地区早期绘画艺术研究")资助项目
项目编号2013QN060
关键词
吴执墓
画像石
车马右行图
复活
司命
西王母
Wu Zhi tomb
pictorial stone
Picture of Rightward Horses-and-chariots Procession
revival
life and death controller
Royal Lady of the West