文人建筑“模因”的当代“模仿”

On the Contemporary Simulation of the ＂Meme＂ of Cultural Architecture

以“模因论”为方法研究当代建筑设计中的“仿古”现象。通过一个全新的概念“模因”来解释大众审美标准改变的趋势是如何发生的．并以笔者参与的一个设计方案“亦山亦房”和已建成的长沙中国书院博物馆为例．进一步说明了文人建筑“模因”的当代“模仿”．实质上就是以文人士大夫文化为代表的传统文化“模因”在这个文化缺失年代的集体回归。

This article researches on the archaized phe- nomenon of contemporary architecture design based on memetics. It interprets how the changing trend of public aesthetic standards happened through the new perspective of memetics and further explains that the contemporary imitation to the meme of literati buildings, is the collective regression of the traditional cultural meme in the absence era of culture based on a design project which the writer participated in and a completed building named the museum of Chinese academies.